is the eldest son of the late Avraham Bar Rashi (formerly
Allan Gittler), a time-bending guitar great who worked with
Gil Evans, Elvin Jones and others. Yonatan's father used
classical technique on electric guitar and designed the minimalist
Gittler Guitar, the only musical instrument in the permanent
collection of NY's Museum of Modern Art.
Yonatan was born and raised in NYC and began knocking on
things from early youth. His sister got him his first pair
of "congas" when he was 10 years old - two pickle
barrels from Chinatown with goatskin heads on rims held on
by C clamps. His first public playing was at some big parties
in the late 60's in NYC and Woodstock, with African groups,
including the drummers for Odetta.
if
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" I was tiny. My mom says I could barely reach their drums.
But I was already playing a while and I was the only
kid they allowed to sit in."
His first "formal" conga studies were with a Latin
group of drummers called "Lexington Avenue",
based in a storefront on 117th street and, well, Lexington
Avenue.
" They were very kind to me. They did not laugh at my pickle
barrel congas."
Yonatan attended NY's High School of Performing Arts and
played and sang with several groups, fairly obsessively.
He recalls one weird practice routine:
" Sometimes friends and I would stand between subway cars and
start singing a tune while the train was still in the
station... the train started and we couldn't hear ourselves 'til we
got to the next station... that's when we'd find out
if our timing and tuning were tight."
In 1976 Yonatan and high school pals Dave Ortiz and David
Ramirez were "discovered" while
playing in Central Park by members of "The Tokens" who sang "The
Lion Sleeps Tonight". That summer they recorded an album (Skateboardin'
USA), appeared on nationwide TV and did a US tour.
" It was well-done bubble gum pop, a big production, but somehow mis-managed
and fizzled out - maybe for the best. But it was great experience with super
musicians."
Yonatan's percussion playing helped him through college in Florida, and in 1982
he began a 3 year
stint in the US Peace Corps.
" I went for selfish reasons only - I knew it was the best available way
for me to experience a culture outside the US."
He was assigned to the Eastern Caribbean, which led to long musical associations
with Caribbean/jazz saxophonist/composer Luther Francois (albums with Bob
Marley, Peter Tosh, Melba Liston & others), pianist Emerson Nurse, and
several others. He played with a wide range of groups in many genres including
Caribbean/jazz
fusion, Calypso, Cadanse, Zouk, Soca, Reggae and folkloric forms.
" Luther Francois - an incredible person and musician, from an amazing family.
He and his family are some of my greatest friends and influences. Luther's
music can get to a rare shade of deep blue that I've only heard elsewhere in
the music
of my dad and a few others."
In '86 Yonatan returned to NY, went to visit family in Israel shortly thereafter,
and has lived in Israel most of the years since. He performs in Israel and
occasionally abroad with some of Israel's top musicians. Among others, he
has performed and/or
recorded with:"Baladi", Avishai Cohen, Yair Dallal, Eyal Sela, Shuli
Natan, Jonathan Miller, Yehuda Glantz, David Adda, and leads his own percussion
group called "Yadayim" (Hands).
Yonatan was hired to play in the Saint Lucia Jazz Festivals of 1992, '93 and
'94 with Luther Francois and others.
In 1998 he recorded the CD "Deep Hip", featuring his father on
guitar, Yonatan on percussion and other Israeli musicians. This CD is still
only available
through Yonatan, because his business skills are lousy.
In Israel he has taken up the darbuka and applies the double roll to it - perhaps
the first in the Mid East to do so.
" There's nothing like the sounds of congas and bongos. I love the darbuka
also now, and finger techniques are a whole new world. The odd way of holding
it and
the odd-time Mid Eastern rhythms are challenging and fun."
Yonatan on "genius" and the "mystique" of music:
"
Genius is nothing but obsession - the more you do it, the better you get - it's
that simple. I agree with the Suzuki music school on that score - we ALL are
born with pretty much the same equipment and potential, no matter our pre-dispositions.
My dad used to say "don't be paralyzed in awe of the greats - we all
have the same basic potential."
Yonatan was born August 23, 1958. He has 2 loving daughters ....
His short sound sample is on bongos, recorded with the computer microphone.